A retcon is a change to the continuity of a story that goes into effect retroactively - not only does the change in the status quo affect the story from then on, but it also establishes that things have always been this way, and any older stories that contradict this reality should be ignored or adapted to fit. It is a practice that DC and Marvel engage in regularly, much to the irritation of plot- and continuity-obsessed readers. However, it is not only the Big Two who change established continuity: it can happen in long-running independent entirely creator-owned series like Terry Moore’s Strangers in Paradise.
If you are unfamiliar with the series, which ended in 2007, at its heart, it is the story of a group of people and how true love, truth and lies, and lust and obsession affect their lives. Initially, the focus is on the love between three characters: Francine, Katchoo, and David. However, as the series progressed and more characters gained voices and importance, the story developed to accommodate them. It is a good comic with many powerful and emotional moments, and with some excellent fully realized characters, and there are parts where the story, art and dialog shine. It has its weaknesses: the mafia-style Big Six organization’s story requires a lot of suspension of disbelief and distracts from the starker and more interesting reality of the main story; and the series arguably goes on for too long, leaving it sagging in the middle. That said, I still highly recommend it, especially the first few volumes, and especially to first-time comic readers.
However, despite being the vision of one writer, there is one glaring inconsistency that makes it difficult to read through the whole series and completely get lost in the world he created.
(The rest of this post contains plot spoilers for Strangers in Paradise.) Keep reading →

Tags: Comic Books · Female Leads · General
November 16th, 2008 · 1 Comment
Can I get a retcon on the past week? Actually, make that ten days. There’s plenty I’d like to keep in them, like the evenings I spent with friends, but there’s plenty of stuff I could’ve done without.
No? No retcons in reality? Darn it.
As you’ve noticed, Retro Review has been a tumbleweeds-blowing-through-it ghost-town kind of a blog this past week. Some stressful issues at work came to a head, and some personal and health issues decided to pipe up at the same time, leaving very little energy and time for the research and blogging I’d planned. In the end, rather than being my usual stubborn self, I gave myself the week off. Starting from tomorrow, I’ll write about some of the best and worst retcons to appear in comics, starting with Terry Moore’s Strangers in Paradise retcon to the future, and finishing with the controversial One More Day storyline.
One of the things I’d like to keep from this week even if I could retcon it would be the comics I picked up. Fables really got moving again, showing for sure that the concept still has enough energy to keep moving, and Top 10 Season 2 #2 put my mind to rest that the series is a worthy successor to the original, and not another mess like Beyond the Farthest Precinct. I also picked up the Stray Toasters trade paperback: when it first came out, I found it to be one of the creepiest and most disturbing comics ever, and I’m keen to re-read it and see how I feel now.

Tags: General
This week, I’d like to look at some of the retcons that have happened in comic books over the years. In case you don’t know the term, a retcon is a retroactive change in the continuity of a comic book series, or indeed a TV series or series of books. Retcons can be as simple as revealing that a character that was shown to have died actually survived, or as major as revealing that a character that was established as a hero was a villain all along. Some are done to keep characters seeming young or relevant, like the current retooling of Carol Danvers’ backstory to have her serve with the USAF in Afghanistan, rather than in the 70s space mission with NASA. Others are done to open up new story possibilities or for dramatic effect. Many are controversial, as continuity can be sacred to fans. Whatever the reasons, no retcon will pass without criticism.
There are also the revamp-type retcons, which DC Comics seem to be very fond of, where the entire history of a series is discarded in favor of a new version: the Crisis on Infinite Earths was the first time DC engaged in this kind of retcon, with changes like “Clark Kent was never Superboy, he only became active when he moved to Metropolis” and “Wonder Woman wasn’t in the Justice League of America from its founding”. This kind of retcon, because it disposes of so much history, can really disappoint fans: how do you handle your favorite series being basically cancelled and never referred to again?
So, join me this week for a walk through some of the best and worst retcons I’ve found while reviewing old comics.

Tags: Comic Books
Legion of Super-Heroes went through a period of great controversy in the early 90s, and no issue was more controversial than#31, the issue in which a long-standing fan question about Element Lad’s sexuality was answered, and another character, Shvaughn Erin, was changed in a very significant way. Dealing as it did with gender identity and sexuality, the revelations of this issue were considered shocking by many, even though, at least according to Al Gordon, not as shocking as they could have been. Some people hated the issue, even citing it as the reason they dropped the title, but for me, LSH #31 had a very beautiful message about love and life.

The story is part of the “Five Years Later…” storyline, which ran through the first 61 issues of the 1989 relaunch of Legion of Super-Heroes, and included a lot of changes that long-time fans did not like. The team had disbanded in the wake of intergalactic economic collapse, and the universe was a darker place, with war, crime and strife abundant. Keep reading →

Tags: DC · Favorites · Random Review
November 6th, 2008 · 1 Comment
Animal Man, aka Buddy Baker, may be one of DC’s most underused characters. He had his own brilliant series, launched in 1988 and running through to the mid-90s, but since then, he’s only been a rare guest star: he had a supposedly major role that amounted to very little in 52 and a big part in Countdown to Adventure, and basically a cameo in a recent issue of Justice League of America. It really is a shame, as he is probably one of their best characters, and he and his supporting cast deserve better, as in a-book-of-their-own better.
Here are my six reasons why Animal Man is a great character, and probably one of DC’s best.
Keep reading →

Tags: Characters · DC · Favorites · General · Vertigo
November 5th, 2008 · 1 Comment
Because the reprint trade paperbacks bear the Vertigo label, people forget that Grant Morrison’s run on Animal Man started before the Vertigo imprint was created. It was considered a mainstream DC comic book, with not even a hint of a “For Mature Readers” label on the cover. It was released without a Comics Code seal of approval because of its content, but that didn’t mean it wasn’t on the shelves with all the other hero books. I wonder what other kids in 1988 thought of the comic: I know I didn’t enjoy it at the time.
The Animal Man stories disturbed me. The portrayals of human cruelty to animals were unflinching, without even the safety net of the perpetrators being super-villains: whether scientists engaged in animal experimentation or drunken hunters, it was regular people doing the deed. Even when there were super-hero battles, they were complicated - a dying villain wanting to go out with a bang, for example. The rest of the work - the metafictional examination of the writer as God, and the exploration of the fragility of the human psyche - was beyond me at the time: Uncanny X-Men and The Avengers were more my speed.
Now, as an adult, I appreciate Grant Morrison’s Animal Man as a brilliant, innovative creation. It is one of the best things he has ever written, and the 5th issue, The Coyote Gospel, is the issue that really launched it into new territory. 20 years ago, I read it once and got rid of it; now I re-read it regularly in the trade paperback reprint, kicking myself that I don’t have the original issue anymore.
Keep reading →

Tags: Comic Books · DC · Vertigo
The recent Wonder Woman storyline set in Hollywood brought back the Queen of Fables, one of the more interesting villains from Mark Waid’s run on JLA. Gail Simome’s take on the character seemed a little different from Mark Waid’s, but the story was entertaining enough. Reading it did make me want to dig out the Queen’s first appearance, in JLA #47-49, and see just how different the writing on the character was.
The Queen of Fables is a great idea for a villain, especially for Wonder Woman. Incredibly powerful and as cruel as Diana is noble, the Queen is firmly rooted in magic and legend. Keep reading →

Tags: DC
October 24th, 2008 · 2 Comments
I am quite serious when I say that the back-issue bins feed my habit: I really enjoy searching through the boxes and trying to patch holes in my collection or discover series I missed or never tried. So, when I’m traveling, I keep an eye out for comic book stores, and, as you know if you read Rolling Traveler, I travel a lot. Of course, there are cities with no comic book stores, and I’ve been increasingly finding that stores don’t stock back issues to the extent they used to. However, there are still plenty of places to keep an eye out for. I’d like to take you on a tour of the comic book stores I’ve visited, one every Friday.
Our first stop on this geekish tour of the cities I’ve vistied is Comix in Hannover. I drop in there every time I visit Hannover, if for no other reason than to say hi to the very friendly and helpful owners, who are as far removed from the stereotype Comic Book Guy as can be. Even on a delivery day, they’ll have time for a chat, and most of them do speak English. They are camera-shy, but were good enough to let me take a few shots, as you can see below. Keep reading →

Tags: Comic Book Stores
October 22nd, 2008 · 2 Comments
This week has turned into Top Ten week, although I hadn’t planned on it. After re-reading Top 10: Beyond the Farthest Precinct, the mediocre sequel to the brilliant first series, for Monday’s review, I wanted to remind myself of why I loved Top 10. I intended to just re-read a couple of issues of that original series, and as happens with these things, I soon found I’d read all 12 and was pulling Top 10: The Forty-Niners off the shelf. And here we are with another Top 10 review.
Top 10: The Forty-Niners is a prequel to Top 10 Season 1. Set in Neopolis in 1949, when the city that would become filled with super-humans was just starting out, it tells the story of the rocky beginnings of the Neopolis police force. Keep reading →

Tags: America's Best Comics · Graphic Novels
The new comic Top 10 Season 2 isn’t the first sequel to Alan Moore and Gene Ha’s 12-issue super-human cop series, but it certainly seems like a far more worthy successor than 2005’s pedestrian Top 10: Beyond the Farthest Precinct. It wasn’t a bad comic book, and I was more than glad of it when it looked like there would be no more Top 10, but looking back at it now, it was a poor substitute.
Paul Di Filippo and Jerry Ordway did a fair job on continuing the story of the Top 10 precinct and its officers, but missed the mark in a few places. Keep reading →

Tags: America's Best Comics · Comic Books · Limited Series